Mahabharat is a 2013
drama TV series on
Star Plus based on Indian legendary epic of
the same name.
[2][3][4][5][6] It has been produced by
Swastik Pictures and features actors such as
Saurabh Raj Jain as Lord
Krishna,
Shaheer Sheikh as
Arjuna, Pooja Sharma as
Draupadi,
Aham Sharma as
Karna and Arav Chowdhary as
Bhishma Pitamah.
[7][8] The producers had creative associations with writer
Salim Khan, author
Devdutt Pattanaik, designer
Bhanu Athaiya, music directors
Ajay-Atul and
Ismail Darbar,
action director Ram Shetty and set designer Omang Kumar. The casting of
the show is done by Sahil Ansari, Mahesh Chandra Bhatt, Arun Mitra. It
started broadcasting on 16 September 2013.
[9]
Mahabharat presents the story of the throne of
Hastinapura, the kingdom ruled by the
Kuru clan. The
Kaurava and the
Pandava brothers compete for rulership. Although the Kauravas' father is the senior of the two patriarchs,
Duryodhana, the eldest Kaurava, is younger than
Yudhisthira, the eldest Pandava. Both Duryodhana and Yudhisthira claim to be first in line to inherit the throne.
[10]
When
Bhishma Pitamah asked for
Gandhari's hand in marriage for his blind nephew
Dhritarashtra, her brother
Shakuni
got furious. Though he agreed later, he swore to himself that he would
destroy the Kuru race. He sowed the seeds of the climactic battle of
Kurukshetra during the adolescence of the Kauravas and Pandavas by
poisoning the mind of Duryodhana against the Pandavas. The friction
culminates in the
Kurukshetra War.
The battle produces conflicts of kinship and friendship, and instances
of family loyalty and duty taking precedence over what is just.
Every decade sees a technological upgrade (read: attempt) to recreate the greatest screenplay on Earth,
The Mahabharat, on the small screen.
Swastik Productions’
Mahabharat premièred on
STAR Plus on September 16th, 2013 and set the record for the most visually appealing portrayal of the Hindu mythology (
so far).
The story of Mahabharat
is not unknown. The epic story revolves around the kingdom of
Hastinapur and the battle of wisdom, sacrifices, right vs wrong, and
dharma against adharma, and is the core foundation of one of the largest
religions in the world – Hinduism. Since most of the stories attached
to the Mahabharat are based on myths and limited
historical accuracies, I am not going to get in to the screenplay of
this TV series. All I can say is that the story development team has
done their job well.
Let’s get in to the two elements that promise to make 2013’s Mahabharat
different than what we’ve seen so far, starting with the visuals.
Without a doubt, STAR Plus has stepped up and showcased a visually
stunning interpretation of the mythology, so far the best use of special
effects, cinematography, animation and VFX ever done of the small
screen. The show deserves applause for the shots taken in the valleys of
Kashmir, elaborated sets and a sophisticated approach at the costumes
and accessories with each scene digitally re-mastered. Having said that,
though the visuals are the best on the small screen but keeping in mind
today’s technology, the show is still a few years behind. The
unnecessary digital touch ups, the obvious (and over done) chroma keying
are a turn off. I caught a few videos on YouTube with the lowest
resolution, and yes, I could easily spot the fakeness in each screen.
Artistically, the team has been impressive; the shabby execution is the
real deal breaker.
One place where the costume department
fails is that they should have realized that the show is shot in HD,
retouched in HD, and seen on large (again) HD screens, where every
detail is easily visible and highlighted. If I had a dollar for every
time I spotted fake nails, safety pins, plastic weapons and utensils,
hair pins, and modern jewelry, I could have enough of money to buy a
brand new iPad. #FacePalm
The next “something new” of the 2013
Mahabharat is the casting. For an Indian actor to play a character from
Mahabharat without over acting, is the toughest challenge. The core
foundation of an actor’s job in the show is the dialogue delivery and
body language. STAR Plus should have paid a little more attention to
this one. Forget the fact that some of the best talents of the TV
fraternity are not a part of the show, but even the ones who are, are so
underutilized. Agreed, Arav Chowdhary fits the bill as Bhishma, but
whose idea was it to cast Sameer Dharmadhikari as Shantanu who lasted
only for 2-3 episodes? Dharmadhikari could have been awesome in the
powerful role of Bhishma. And is it just me or does Sayantani Ghosh
still have what it takes to pull off a younger role? I am eager to see
what the rest of the cast unfolds, but so far, not-so good!
I am hooked to the show for the story
and it’s a visual relief from the last few Mahabharat TV series
(remember the torturous camera slaps aka the Balaji effects on the 9X
Mahabharat?) that we’ve seen in the recent past.
Verdict: Watch it for
the story and for the technological upgrade that we’ve seen so far on
TV. It’s a family treat! Screaming Critics rates Mahabharat a B+ and ***
stars.